A Conversation with Janet Skeslien Charles, bestselling author of Miss Morgan’s Book Brigade 

Authored By: Anne Z. Cockerham, PhD, CNM, WHNP-BC, CNE, FACNM, Associate Dean for Teaching Excellence and Innovation

As a lover of historical fiction, it was a privilege to talk recently with Janet Skeslien Charles, bestselling author of Miss Morgan’s Book Brigade. Published in 2024, Miss Morgan’s Book Brigade is a dual-timeline historical fiction novel featuring Mary Breckinridge as a major character in the novel. 

The 1918 portion of the novel is set in post-World War I France and features the work of the American Committee for Devastated France (known as CARD for its French acronym). Philanthropist Anne Morgan hired Jessie “Kit” Carson to establish children’s libraries to help rebuild French villages and morale after the war. Nurses performed other crucial work for CARD, and Mary Breckinridge provided leadership and nursing care to the people CARD served. 

Having enjoyed Miss Morgan’s Book Brigade, especially the scenes featuring Mary Breckinridge, I jumped at the chance to ask Janet Skeslien Charles questions about her research and writing processes and more. Here is our conversation, lightly edited for length and clarity. 

Anne Z. Cockerham: Thank you so much for taking the time to talk with me. 

Janet Skeslien Charles: Thank you for reading the work. Mary Breckinridge is incredible. What she accomplished with the English, French, and Americans was amazing, especially how she brought that knowledge home and created the first comprehensive healthcare system in America. 

AZC: I love historical antecedents and the ways that Mary Breckinridge’s experiences in France set her on a course for the rest of her career. 

JSC: Yes. There was so much tragedy in her life, losing a husband and children. She could have just worn black for the rest of her life but instead, she dedicated her life to others. It’s inspiring. 

AZC: I’m curious about the path that led you to include Mary Breckinridge so prominently in Miss Morgan’s Book Brigade. 

JSC: As I did the research for the book, I discovered that she was an incredible person. She wanted to be a nurse, but at a time when her family and society expected her to get married rather than work. Her first husband died of appendicitis and then she divorced her other husband after losing her children. I was amazed at how she was able to pick up the pieces. Many of us would have been devastated, and those losses would have defined us. But she decided instead to help others and make sure that other women would not have the same losses that she experienced. 

JSC: Something that is amazing to me about Mary Breckinridge was how important facts were for her. In France after World War I, she weighed the babies. Instead of saying, “I think they’re losing weight,” she had the facts, including babies’ weights over time. She used facts to reassure parents, and I found that inspiring. 

AZC: She built on Florence Nightingale’s work as a statistician, didn’t she? 

JSC: Yes, in some ways, today we’ve lost sight of the facts and of how important medicine and research are. 

AZC: Mary Breckinridge is well-known in some circles and not in others. I’m curious if you have any thoughts about why that might be. 

JSC: Women’s history is often set aside. When I watch Peter Jackson’s documentary, They Shall Not Grow Old, and other films about World War I, I’m always disappointed that they don’t feature women. They feature trenches. When we don’t see women in these major war documentaries, we don’t learn about them and it’s like they didn’t exist. 

JSC: For the staff of the American Committee for Devastated France (known as CARDs), the work was arduous and dangerous. CARDs received the Croix de Guerre (War Cross) Medal for their courage under fire, working just a few miles from the front. In one instance, the Army asked the CARD chauffeurs to evacuate all villagers, thousands of them, even the ones debilitated by war fatigue. That’s why it’s important to remember women and to restore them to their proper place in history. 

AZC: Miss Morgan’s Book Brigade is richly textured with major elements and small details about Mary Breckinridge, despite her CARD time not being as well-documented as her later years. One example of rich detail is “Breckie” as a nickname for Mary Breckinridge. What can you share about that? 

JSC: The CARD staff used diminutives and nicknames for each other such as “Kit” for Jessie Carson, after Kit Carson the explorer. When Mary Breckinridge was in France, she was still using her married name of Thompson, so they called her “Thompy.” However, I didn’t want to feature her in the book as Thompy because after leaving France, she petitioned to take back the Breckinridge name rather than be known as Thompson. Breckie was her little boy who passed away and she loved him so much. I came up with this solution to still have a diminutive but not a name that she herself did not want. Those choices are what writing a novel is all about. 

AZC: I appreciate how that decision conveys your respect for her. 

JSC: Something else I wanted to convey was the friendships the CARD members had with each other, and nicknames were part of that. This is similar to military settings. In many ways, CARD was influenced by the military with their uniforms and protocols. Also, they were really there for each other. 

JSC: The CARD experience helped Mary Breckinridge become more sure of herself and come into her own. We can see that in letters in the University of Kentucky collection that discuss how Mary Breckinridge and Jessie Carson dealt with a forward Frenchman. They did it with such grace and were actually worried about hurting his feelings. 

AZC: What, if any, challenges did you experience as you applied the historical fiction genre to Mary Breckinridge? 

JSC: For nonfiction, sticking to the facts is hard, because sometimes you don’t have all the material that you need. With historical fiction, you can connect the dots or you can create the dots. One area in which I was able to connect the dots was the friendship that developed between Mary Breckinridge and Kit Carson. I found some discussions in Wide Neighborhoods about Kit and then I found a census document that shows Jessie Carson working as a librarian at Wendover. 

JSC: It was incredible to spend several years with Mary Breckinridge and to see what kind of person she was. I found that she prioritized putting other people at ease. For example, she went to a fancy Swiss boarding school and spoke French. But instead of communicating something like, “I speak 3 languages; I’m so intelligent,” she said, “I’m sure no girl ever spoke as badly as I did in 3 languages.” She wasn’t boastful even though she came from a wealthy and prominent family. 

AZC: One of the aspects of your books that I enjoy is that place is at the heart of what you write about. I’m curious if you have any impressions of the place in which Mary Breckinridge did her later work, eastern Kentucky. If you were to write about eastern Kentucky, how would you address place there? 

JSC: What comes to mind is the photo of the nurses on horseback, one of the most iconic photos I’ve ever seen. The terrain and transportation in eastern Kentucky are so different than what the CARD staff experienced in France. In France, they could go from place to place in motorized vehicles, even though the roads were destroyed and the roads damaged the tires. 

JSC: By contrast, for the FNS in eastern Kentucky, the terrain was so rough they couldn’t get where they wanted to go by car. If the horse stepped wrong in the rocky terrain, they were in a lot of trouble. That speaks to how brave the women were, to be on horseback and even transport babies on horseback. You can feel the pride, power, and devotion. That kind of land shapes who we are. The FNS nurses were tough. I have so much respect for everyone involved in the FNS. 

AZC: During your book tour for Miss Morgan’s Book Brigade, did any discussion about Mary Breckinridge come up from any of the participants? 

JSC: People mentioned being impressed that the first comprehensive healthcare system in America started with a woman from Kentucky. On my book tour and doing Zoom talks, I show the stamp of Mary Breckinridge. Few people have their own stamp and it really is a badge of honor. 

JSC: When they see the stamp and they see the nurses on horseback, they’re surprised to learn about the history. It’s important for people to know that the mortality rates were lower in Kentucky, where she worked, than the national rates at the time. It’s incredible to think about that rural area thriving, thanks to Mary Breckinridge. We can still learn a lot from her today, about the transformational power of learning internationally and sharing our knowledge. 

AZC: Was the juxtaposition of librarians and nurses purposeful in Miss Morgan’s Book Brigade? 

JSC: The only character I knew when I first started the book was Jessie Carson. Then to learn about Mary Breckinridge and the impact that she had not only in France, but in the United States, was incredible. That’s what I love about writing and reading, is how much you learn. 

JSC: Teachers, nurses, and librarians are feminized professions, and they don’t earn as much as some other professions. But another way to look at it is they’re in charge of what we learn and how we feel. Think about how many lives they change for the better, and that is powerful. 

AZC: I want to ask about your latest book, The Parisian Chapter, the third book in the trilogy. What can you tell us about that book? 

JSC: It will be published May 5, 2026, but it’s already out as an audiobook, recorded in 11 voices. The book includes Lily from The Paris Library. It’s set in about 1995 so it’s a continuation of the other books but can be read as a standalone. I had been thinking about institutions like Frontier Nursing University and the American Library in Paris. The institutions are what we make them. Many people work together and put their hearts and souls into them so others can enjoy them and learn. 

JSC: In addition to The Parisian Chapter coming in May, one of my favorite things is my monthly newsletter where I write about the different CARD staff. I have photos, because the Réunion des Musées Nationaux, the national museum system in France, has amazing photos of the CARD staff but they aren’t easily accessible online. I paid for the right to use about 150 photos on my website. In my newsletter, I focus on a theme like nurses, farming, or librarians, and every month I write something about the CARD staff. I find so much pleasure in writing a short piece because novels take me 10 years, but a newsletter article takes me a couple months. 

AZC: Is there anything else we haven’t talked about that you want readers to know about Mary Breckinridge’s story? 

JSC: I want people to know about her time in France. She had so many interesting chapters in her life. I’m excited that people who might not be as familiar with Mary Breckinridge’s French chapter will get to know about her work there. 

AZC: It’s been a real pleasure to talk with you. Thank you! 

This piece was originally published in the Winter 2026 Quarterly Bulletin.

Request Information Apply Give Now